暂无剧情简介

An unusual and evocative journey through the city of Milan at the beginning of the 80's, among fashion, art and everyday life.

The Milanese Luigi Pizzigoni, photographer, and the Neapolitan barber Peppino Avallone, resident in Milan, are opponents in the sports field. The first is a proud Inter supporter, while the second is from Napoli.

Climate change has reached an extreme: temperatures and solar radiation are so intense that it is impossible for humans to go outside during the day. People work only at night, and during the day, the cities are deserted. As a result, wealthy residents can afford to live in underground bunkers equipped with every comfort, while poorer individuals live in precarious conditions in decaying buildings left on the surface, forced to survive with what little they have. Linda and Aurora (grandmother and granddaughter) share their experience as residents of the surface buildings. Cosimo, on the other hand, talks about the psychological problems and severe hallucinations caused by his life of confinement in the underground bunker.

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无剧情简介

Maxime is a young Valdorian who works in a gold mine. As he experiences several difficulties as he goes through life, he will question his definition of masculinity. It's with the help of the tightly knit brotherhood of colleagues in the mine that he will find the necessary support to overcome a feeling of stubborn guilt which prevents him from achieving happiness. Until the day an explosion breaks out underground. As part of the rescue mission, Maxime descends into the mine lair with the firm intention of bringing each of his colleagues back to the surface alive.

It's 3 a.m. and Susana and Daniel just made love inside a car parked in an underground parking. Suddenly their passionate encounter gets interrupted by the arrival of a car of which three hooded men get out.

A documentary about the Weathermen, founded as a militant faction of the Students for a Democratic Society (SDS), who fought to overthrow the U.S. government during the 1960s and 1970s. The film consists of interviews with members of the group after they went underground and footage of the anti-war and civil rights protests of the time. It was directed by Emile de Antonio, Haskell Wexler and Mary Lampson, later subpoenaed by the Federal Bureau of Investigation in an attempt to confiscate the film footage in order to gain information that would help them arrest the Weathermen.

Replete with gang bangs, bathroom trickings, sex club prowlings, cum dumpings galore, and of course the ever-present bison cock attached to our potty-mouthed hero, Jeff Stryker's Underground is still one of Stryker's best and biggest sellers to this day.