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The Milanese Luigi Pizzigoni, photographer, and the Neapolitan barber Peppino Avallone, resident in Milan, are opponents in the sports field. The first is a proud Inter supporter, while the second is from Napoli.

Climate change has reached an extreme: temperatures and solar radiation are so intense that it is impossible for humans to go outside during the day. People work only at night, and during the day, the cities are deserted. As a result, wealthy residents can afford to live in underground bunkers equipped with every comfort, while poorer individuals live in precarious conditions in decaying buildings left on the surface, forced to survive with what little they have. Linda and Aurora (grandmother and granddaughter) share their experience as residents of the surface buildings. Cosimo, on the other hand, talks about the psychological problems and severe hallucinations caused by his life of confinement in the underground bunker.

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Maxime is a young Valdorian who works in a gold mine. As he experiences several difficulties as he goes through life, he will question his definition of masculinity. It's with the help of the tightly knit brotherhood of colleagues in the mine that he will find the necessary support to overcome a feeling of stubborn guilt which prevents him from achieving happiness. Until the day an explosion breaks out underground. As part of the rescue mission, Maxime descends into the mine lair with the firm intention of bringing each of his colleagues back to the surface alive.

It's 3 a.m. and Susana and Daniel just made love inside a car parked in an underground parking. Suddenly their passionate encounter gets interrupted by the arrival of a car of which three hooded men get out.

A documentary about the Weathermen, founded as a militant faction of the Students for a Democratic Society (SDS), who fought to overthrow the U.S. government during the 1960s and 1970s. The film consists of interviews with members of the group after they went underground and footage of the anti-war and civil rights protests of the time. It was directed by Emile de Antonio, Haskell Wexler and Mary Lampson, later subpoenaed by the Federal Bureau of Investigation in an attempt to confiscate the film footage in order to gain information that would help them arrest the Weathermen.

Replete with gang bangs, bathroom trickings, sex club prowlings, cum dumpings galore, and of course the ever-present bison cock attached to our potty-mouthed hero, Jeff Stryker's Underground is still one of Stryker's best and biggest sellers to this day.

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Big Ben. Buckingham Palace. Trafalgar Square. St Paul`s Cathedral. Piccadilly Circus. The London that the world knows. But there is another side to London that remains unknown to the tourists, that emerges only at night, that comes alive in aging terraced houses and sprawling estates. It is a world of pills of dubious origin swallowed hurriedly and hopefully, of music with a thumping beat that you`ll still hear when you wake up the morning after, of Rizla papers bought from an all-night garage, of bottles of mineral water shared as love tokens, of greasy kebabs eaten when the taste-buds have long since numbed, of sunrises viewed through stinging eyes. It is close to heaven, but it is very close to hell. For Rat, a fifteen year-old drug dealer, it is the only world he knows. Over one night Rat`s world turns upside down as he finds himself on the run from older, far more serious criminals. We follow Rat as he looks for shelter with those he thinks he can trust. As each door closes on ...